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- American DJ 12P Hex LED flat PAR RGBAW + UV
American DJ 12P Hex LED flat PAR RGBAW + UV
Descrizione
The American DJ 12P Hex is a compact par spot that is very versatile. Thanks to its twelve RGBAW + UV LEDs (12W each), this is a very bright spotlight. As it produces very little heat, it is the perfect fixture for theatre and other stages. Thanks to its compact design, this 12P Hex is also ideal to be used on the floor as a wall wash or for uplighting, for instance.
ADJ 12P Hex: six-in-one LEDs
The twelve-watt LEDs in the ADJ 12P are six-in-one LEDs, meaning that they can produce red, green, blue, amber, white and UV - allowing for very even colour blends. Thanks to their flicker-free nature, these spots can also be used for TV and video recording. An exceptionally great feature of this spotlight is that it can also produce UV light, allowing you to create the familiar black light effect to light up white objects and surfaces in the dark.
Controlling the 12P Hex
The flat par can be controlled via DMX and features a DMX output so you can daisy chain several of these fixtures. Additionally, the 12P Hex also has a stand-alone function that can run pre-set programs, as well as a fixed-colour mode that you can set via the LCD screen on the par. Or perhaps you fancy a sound-controlled mode, allowing the American DJ par to respond to the music via a built-in microphone. Moreover, you can control this fixture with the (separately available) Dotz PAR RF remote control by American DJ.
Specifiche
Caratteristiche
- Beam angle 30 - 39 degrees
- Colori della fonte luminosa rosso, verde, blu, bianco, UV, ambra
Peso e dimensioni imballaggio incluso
- Peso (imballaggio incluso) 4,7 kg
- Dimensioni (imballaggio incluso) 36,0 x 30,0 x 23,0 cm
Specifiche
- bright wash PAR with 12 red, green, blue, amber, white and UV LED pixels
- even RGBAW + UV colour blends
- suitable as architectural wall wash
- suitable to light up stages
- great alternative for conventional stage lighting
- produces very little heat
- side-mounted DMX inputs and outputs
- power: IEC input and output
- 4 DMX modes: 6, 7, 8 & 12 channels
- 5 operational modes:
- fixed colour (63 colour macros)
- dimmer (both RGBAW and UV)
- 7 programs
- sound-controlled
- DMX
- flicker free
- dimmer curves:
- standard
- stage
- TV
- architectural
- theatre
- LED pulse and strobe effect
- electronic dimmer: 0-100%
- beam angle: 30 degrees
- 4-button, DMX digital display on the rear panel
- compatible with the ADJ Dotz PAR RF remote control (not included)
- double mounting bracket included
- can be positioned:
- on the floor
- from a truss
- DMX chainable via 3-pin XLR connectors
- power chainable via IEC connectors (max. 13x 12P HEX)
- light source: 12x 12W RGBAW + UV LEDs
- lifespan LEDs: average of 50,000 hours
- energy efficient
- power consumption: 150 W total (all LEDs at maximum power)
- multi-voltage power intake: AC 100V - 240V, 50/60Hz (IEC connector)
- Dimensions: 298 x 249 x 136 mm
- Weight: 3.9 kg
Recensioni
Recensioni da altri paesi
Tradurre tutte le recensioni in Italiano
Ce spot est magnifique ! Il est puissant, les mélanges des couleurs sont bien, et l'UV ouvre la porte à plein d'effets ! je recommande :)
Ziet er professioneel uit. Goed en robuust gebouwd. Zeer veel lichtopbrengst. Mooi kleurenpalet. Veel mogelijkheden qua programma's en instellingen. Ideaal om de spot plat op de grond te leggen om wanden/doeken uit te lichten. Ook meer dan voldoende lichtopbrengst om podia uit te lichten.
Anders dan vermeld, de afstandsbediening zat er bij mij gewoon bij.
Altri prodotti American DJ
Vedi tutti i prodotti American DJ
The short verion: The 12P is very powerful and impressive, well built and produces accurate colours across the "hex" spectrum (RGBW and UV). I'll be buying more of this range in due course when funds allow!
The longer version (this is also my review of the Hexcon controller unit that I used with the 12P and a couple of 5Ps):
I wanted an easy to use, but effective, lighting system for a startup rock and roll band. They needed lighting that could be easily adjusted in real-time to suit the music and mood of their performance. However, the last thing they needed was to have to find a DMX expert for every gig. After researching a few units through reviews on youtube I decided that the Hexcon was the thing. Independent control of RGBWA and UV components, instance switching to specific (and quite delightfully rare) colours, sound activated mode, strobe mode and a few other effects. Perfect!
The important thing to note, though, is that the Hexcon is specifically designed to be used with the ADJ Hex range of lights. The Hex range are DMX 6 channel units and are not cheap - so I was a bit nervous about whether this was all going to work. I ordered one 12P unit and two 5P units - which was about as much as I could afford to risk (we would have little time after delivery before the next gig).
I was absolutely delighted to find that the Hex lights are very powerful, sturdy, excellent quality and produce ample amounts of interesting light. They worked almost out of the box with the Hexcon - I seem to remember all I had to do was change their mode to 6 Channel mode and set the DMX address of each light (1, 7, 13 - intervals of 6) and connect them up. Before I realised that they weren't in 6 Channel mode by default I thought the lamps were faulty - one was in 6 Channel mode and worked but another wasn't and flickered. Setting them all in 6 Channel mode brought them to life with the Hexcon controller.
With only an hour to get used to the unit before starting soundcheck and installing the lights (yes, the delivery was one day later than stated on the Bax website - and that caused some headaches but the Bax support staff were sympathetic - However, I'm not happy that the delivery date estimates which I feel are unrealistic and misrepresentative of what is achievable and I'm taking that issue up with Bax) - where was I? Ah yes, very little time left to get the lights unpacked and working and get used to the controller to the point where it could be used as an "instrument" in the gig.
Well I'm happy to report that it's very simple to use and you can press buttons in time to the music or hit the strobe and shift the sliders etc. - and it helps to produce a great authentic rock and roll atmosphere.
One thing I have not been able to work out, though, is the Chase mode. My understanding of that is that the effect should make the lights appear to shift along the chain. Now I only have 3 lamps but the effect seemed to affect all 3 at the same time so it seems to be just another auto fade mode. I will persevere with that when there's more time.
So the plan is to buy a few more Hex lamps over time to build up the "power" of the lighting - but I was very pleased with the 12P and two 5Ps which easily lit up the 24m2 stage. The 12P unit was placed opposite the stage shining in from the front - perhaps 6 metres away, whilst the 5P units were mounted on either side of the front of the stage.
This is also sufficient for the band to take to small gigs - bars, cafes and small venues etc. and will still produce an impressive show.
I have no idea whether the Hexcon is compatible with any other devices - you'll need to research that - but it works superbly with the Hex lamps.
The great thing about the Hex lights and the Hexcon, though, is that you can ask your dad to sort out the lights, give them 5 minutes training and then let them loose. They'll have a great time and your gig lighting will be fresh, relevant and rock and roll!